On a personal note/rant....
Okay no one expects movies to be exact replicas of their book origins. Everyone has their own mini movie playing in their head when they read the books before movies, but come on. When it comes to certain crucial scenes, I don't think anyone's going to get mad if that scene isn't exactly as they visualized, but I'll be damned if those very same people would happily accept the blatant disregard for said scenes, the ones with meaning to the series as a whole. You just can't DO that. This is getting out of hand. I mean for real. Movies made from books ought to be the easiest movies to make. You have the source of it all right at your fingertips! You have the blueprints! Why is it so hard to follow at least the basic guide of them? It's like having a map to a treasure, but you cut out, scribble, and tamper with it just because you don't like a route through a certain direction. "Oh hey, let's just cut out this whole mountain range and proceed this way." Then little do you know, you're missing out on crucial things, like what you will see on your journey to get there.
This movie could have really worked if they just made it longer. What's with the rush? Who cares about the audiences who can't fathom sitting still for longer than 3 hours? Their lack of presence or support for movies of THIS nature will not be enough to stop the success. You know good and well that most people who watch these movies are those who are FANS. People who have read the books or people who just simply love the movies. These fans far outnumber the casual moviegoer. They far outnumber the sourly negative critics who make a living off of bashing movies that will do well. Who freaking cares about any of them? What's important here is the fans. These fans will pay big bucks to watch these movies more than once. These fans would not mind sitting there for a 3 hour movie if it meant that it can still bring out the crucial storylines from the book without skipping a beat. And you can't say that it doesn't work. You can't complain about the length. Look at freaking LORD OF THE RINGS, for crying out loud. Each of those films are over 3 hours in length and they were madly successful. The people who complained about the length were powerless to stop their success. But nooooooooooo. We have to sit here and take 2 hour movies that could have very well been 3 hours and not be flawed at ALL.
On to the review of sorts...New Moon...my love, hate relationship...
[SPOILERS! SPOILERS! SPOILERS!]
So yeah, "New Moon." There's TONS of good. There is fortunately more good than bad. Oh man, there was so much that was so spot-on, I don't even know if I'd be able to possibly fathom where to start. It's fresh in my mind, sure, but my thoughts are all scrambled between good and bad and I can't keep them straight. This one blew "Twilight" right out of the water and into outer space where even Superman can't follow. Lame analogy, I know, but it's true. It was WAY better. I immediately thought that man, this movie might actually do GREAT with the translation. And you know what? For the most part, it did, but only when it comes to the scenes they chose to keep, even if those scenes had tweaks. So much has most definitely improved since the first film; and I know I have the new director to thank for that. But I also have the new director to thank for where "New Moon" went horribly wrong, and yes, in several crucial ways, this movie went wrong. The crucial book scenes not chosen to be portrayed, or those scenes portrayed in a rather ugly fashion (much like Twilight's first kiss scene) were tremendously disappointing. Especially the end. Um, WHAT? Are you freaking kidding me? The ending should have been so easy to figure out how to make work. But they didn't. It was way too awkward to see it end that way, knowing full well its true way.
The Good
Alice, Jasper, Carlisle, Emmett---The best good vampires in the whole film. Just seeing Alice her leaping over the rail at school was enough for me to say she was pretty perfect. THIS was the Alice I pictured. Dancing her way around, as Bella always said she did in the book. Jasper FINALLY got some more screen time, and pleasant ones too! "It'd be great not to want to kill you all the time." Priceless! I loved how they finally did integrate his power into the movie, though it should have been introduced in Twilight. *shakes fist at Catherine Hardwick*
The Breakup Scene---True, I wish the build-up was more involving Edward's cold nature towards Bella. It wasn't....dramatic enough, him leaving. It made his decision to leave look too much instantaneous when there was no proper build-up. Bleh. BUT...I did like the actual scene. I actually was expecting it be more butchered than it was, but it totally worked for me. They kept in a lot of vocal exchanges between the two, and Robert Pattinson's general boringness as Edward (sorry, but he's very boring. But Bella is too, just to be fair) worked to his advantage here. Cold and uncaring. No hint of remorse or regret for leaving. He played it out exactly as I pictured it being played out when I read the book. I wanted to smack him simply for being male when I read the scene. And yep, that feeling existed still when I watched it. As I said, I expected it to be chopped further than what it was. For instance, after he leaves, I was expecting her to just collapse to the ground where she stood and then be there until dark to be found by Sam. It would have taken off a couple of minutes from the movie, and knowing Hollywood, that's exactly what they'd want. Anything to shorten a movie. But nope. She actually went after him in a daze of sorts, all the way until nightfall. It was very well executed, I think. I do also wish that the aftershock of the breakup was more focused on too, like Bella frantically searching for the stuff Edward hid from her. Oh blah. Still, I was well done what they used. Pass.
The Party Scene---Even seeing it in the previews, I had a suspicion it would be fairly accurate to the book's version of it. There's not much to express on the idea. It was literally straight out from the book, save a couple minor, but acceptable tweaks (Emmett and the radio, for instance). I still find the whole paper cut thing very dumb, even in the book, but oh well. I would have accepted a tweak there. I can't believe that Jasper would be that crazy over a trickle of blood, but be totally unfazed when she was gushing from her femoral artery in "Twilight." It didn't work. But alas, it was still accurate, and that's what matters. Even Edward's rather careless tossing of her across the room into the glass table was perfect. Talk about d'oh! Jasper still reacting harshly, fighting his family to get at her. Alice being swayed too by the gash on her arm. It was all very well done. Pass.
The Movie Scene---Haha it was all very enjoyable for me. For reals. I still chuckle at it. Jacob with his juvenile arrogance and Mike with his quiet desperation, though very, very sick. Just as humorous as the book. I can't believe they even kept the whole hand thing in there. It was so cutely awkward. And Mike being sick with stomach flu was priceless. The actor pulled it off with amazing colors. In fact, he's just as perfect for his role as Charlie. Simply perfect. It was playing out soooo very well. And they kept Jacob's, "What a marshmallow!" quote. I loved that! In fact, his whole quote was in there. "You should hold out for someone with a stronger stomach. Someone who laughs at the gore that makes weaker men vomit." It was quite the treat to hear him say it. The rest of the scene was definitely tweaked, but it was acceptable. Why? Because the basic gist was there. I didn't need an exact replica. I got good chunks of it and dealt with what was missing. Bella and Jake waiting for him and talking. Jake reaching for hand early on, instead of while they sat as the book said. Perfectly acceptable because it was still so cute. (Sigh. I love it when they do that, especially when you like them, even if you deny you do). It was all so sweet, just like the book. Pass*
*This same scene, while progressing very nicely, ended it badness. Like horrible badness. Wrongness. So wrong. It was going so perfectly and stopped so abruptly in a way it should never have been stopped. WRONG!! But this isn't the section for badness yet.
Jacob Black---I'm not even saying this because I'm a "Team Jacob" person. I love his character in the book and in the movie. He's flippin' awesome. Way cooler than Edward. Much more interesting. Kudos to Taylor Lautner, though. I thought he did an amazing job with what he had to work with, and it was VERY obvious that this young man is putting in the most effort into his character, physically and mentally, than everyone else. I read in interview after interview that he read up on the books, truly studying the character. And it shows. It really does show. I was quite impressed at how all his efforts paid off, that he wants to really be the Jacob Black as fans imagined him to be. Including the jerkiness. But see that's just it. He's got the jerkiness as in the books, but yet somehow manages to still show those hints of remorse for being jerky or hurtful or whatever, just as in the books too. It was so..surreal. He embodies the Jacob Black from the books quite perfectly. Sure, he's not as gargantuan as the book described him, but his persona more than made up for it in my opinion. And quite frankly, the boy is beautiful to watch shirtless. Damn that youth of his. And damn this geezer age of mine. Oh well. He'll be legal soon enough and then it will be okay to admire his physique. Pass.
The Old Bella Dream---The beginning of the movie, beginning of the book. Perfect opening sequence and VERY awesome. It was literally the beginning of the book lifted off the pages to me. Maybe a few minor, yet great tweaks, (I like how Bella yelled out to him not come out, that he'll be seen) but definitely the same spirit of the scene. It actually gave me the shivers seeing an elderly Bella on screen with a much improved sparkly Edward. Even a little scary to witness (for her sake). That could have anyone's nightmare pretty easily. And if that's the old woman from the movie "The Happening," that's probably why it was creepier. It was actually one of the most perfect scenes from the whole movie. When it was over, I thought to myself. "Perfect." Admirable that there was at least one they wanted to get right, and to me, they did. Major pass.
Jane---Everyone had their doubts about Dakota Fanning being brought on board, mostly because she's a little older than how she's described in the book, but I'm sure those same people are shutting their pie holes up for good now that they can experience her. What an absolute PERFECT casting choice for Jane. That beautiful, youthful innocence in her face coupled with the most nasty of vampire powers. This vampire is FIERCE in the book, and dammit, she's freaking fierce in the movie too. So cold and calculating, like everything's just a game for her. Oh man, she was just so right-on. If there's any other word synonymic to "perfect," it belongs to Dakota Fanning's Jane. Pure awesome. Pass.
The Volturi---They were actually pretty cool! Especially Aro, the leader. Michael Sheen brings him to life much better than I anticipated. Aro in the book is always so eerily patient with things, calm and cool, and always so easily fascinated by things that are out of the norm for him. He's almost like a child discovering things for the first time and celebrating the coolness of it. Aro is exactly this way in the movie. The whole, "Ha ha ha! How fascinating yay!" vibe is very obvious and very cool. His lighthearted exuberance is even kind of bubbly, like you'd be a fool to be afraid of him, even though you should. And this is exactly how he is supposed to be. Marcus was great too. Bored as he always is supposed to be. The others were great too, though I don't remember who was who. Yay for Colossus being a big brawny vampire!! Very cool, the Volturi. Pass.
Edward's Apparition---It worked. I'm no fan of Edward, not really, but if I was, I would have been grateful to see him and not just hear him. I appreciate the filmmakers integrating him into the storyline a little better without straying too far away from the whole point of the book: the introduction of Jacob's more involved presence. You still get to hear his voice, but being able to see a sort of spirit of him sort of made it something we could all witness along with Bella. It totally worked. It was cool to see him brooding around all sad that she's being reckless. Serves him right! Pass.
Bella's Cliff Dive---It was both good and bad. But this is the good section. It's the scene we all wanted to see unfold before our eyes. And it was awesome to see it. It didn't look as corny as I thought it would, and it was a pleasant surprise to see Victoria in there with her. At least glimpses of it. The way the book describes the scene is a little more...confusing I guess. Drawn out beyond the actual scene in upcoming pages. But for the movie, it was a little more simple and to the point, bringing it all together instead of something to be discovered later, like Victoria for instance. It was the most fitting place for Edward's apparition too, because unless I'm mistaken, it was one of the moments where Bella saw his face before she thought she was going to die. And I loved how they kept those few lines there. "You wanted me to be human. Watch me." More Eddie begging. "You won't stay with me any other way." So in these ways, it was very well done. Pass.
The Almost Kiss---Awww freaking cute. Just like the book. Hand on face, near lip contact. Only they had them go a little closer in the movie. Which was great; though I love when the finally do kiss, I did not want it to happen in this movie. But alas, the rest of the scene was bleh. I'll cover that later.
Laurent---Hmm...he reminded me a little a more suave Jack Sparrow hehe. I liked it. It was cool to see his death instead of just being told about it. We get to see glimpses of it. I liked that. At first I thought he would straight away put up a fight, but instead, they still had him react in shock to the wolves and then flee, just like it was done on the pages. I guess to make things interesting, they had Laurent attempt to fight them (appreciated more than expected), but to no avail. The scene itself that led up to his death was for the most part, satisfactory. Much of the dialogue was straight from the book too, but---and I can't believe I'm saying this---it felt a little too rehearsed. Too MUCH from the book and not enough improvisation. The flow of it seemed off, like it was a well-thought out plan rather than something that was supposed to be happening sporadically. There weren't enough delays or hesitations. The show Gilmore Girls was alot like that too. Almost like the characters' interactions were never really genuine. No emotional response to anything, just plain rehearsal. It's evidence that the characters were merely expecting what the other person was going to say and had an already pre-conceived response to it. That was how this meadow scene felt to me. I don't know if that makes sense. It's not enough to make this bad, however, just....could have been better, but still good. Pass.
The Adrenaline Junkie---At first I sort of sneered at the thought of Bella's first brush with danger taking place with men with motorcycles. It's not at all like the book. But now that I've seen it, I understand it, and you know what? I liked it better. I suppose just walking over to a bunch of strange guys isn't as dangerous as walking over to jump on a motorcycle with one. It made it a little more intense, I think. A major tweak that went well for me.
The Bad
The Movie Scene---If memory serves, this is pretty much where the movie started going very wrong. So wrong. The concluding portion of this scene left my eyebrows a bit furrowed. I was thinking, "Wait stop....this isn't right!! This can't be happening! Don't do this!" Just as quickly as Jake was being all sweet to Bella telling him how he'd never hurt her, he suddenly snaps in anger at the sickened Mike, like grrrr, I have a beast in me, I must go home too! And then he leaves, leaving Bella and Mike all puzzled and confused. No, no, NOOOOO!! That was a cruel and careless end to what was supposed to be a much more tender scene between Bella and Jake! And it was ruined. RUINED!! Jake gets all huffy at Mike and just leaves? WHAT THE HELL IS THAT?!? The book's scene of this is so different, but so much more meaningful. What was the difficulty in letting it all roll out the right way? I mean, they started it out brilliantly and then closed the scene like THAT? Bella was to drive Mike home in his vehicle while Jake followed. Then Bella hops into Jake's vehicle where more honesty was revealed about Jake's intentions. There's that whole line of "I know you've been hurt all the time" etc etc. His temp would skyrocket, she'd suggest he gets home, yells at him to call as he pulls off. And then he never calls. Oh, but I guess they just had him spurt out the whole "I'll never hurt you" stuff while at the movies just to "get it out of the way" and then have him run off like his inner hulk was about to explode. Ugh...NO! So stupid. And such a freaking waste. UTTER AND RIDICULOUS FAILURE.
The Almost Kiss Interruption---I didn't care for the phone call scene at all. I loved that they kept the phone to interrupt, but to have Jacob KNOW it was Edward and then hang up? And then Alice stroll back in a second later? Nooooooooo. He shouldn't have had a clue it was Edward, but answer the question, and then hang up (after getting hung up ON) He was to have thought it was Carlisle. Bella would have gotten mad, he'd have gotten huffy back. And then, only THEN should Alice have come in. She was supposed to have asked Jake what was said, and then collapse when she knew it was Edward. It would have dramatized the entire scene. Added the "Oh God, no!" weight to it. Ugh, those freaks screwed it all up. FAIL.
Pacing---It didn't flow too nicely in too many areas. Scenes jumped from one to next without much feeling of transition or lapse of time. It made it all a little less believable to me. I can't remember too many right now; I just know they're there.
Acting---Not much has improved with the two central characters. Kristin's great when it comes to having nightmares or seizures or having extreme outbursts of pent up emotion, but when it comes to more subtle requirements, I don't think she has it. I find it very difficult to believe she's in pain over something. There's no tears, no real breaking of voice. Unless, of course, she's screaming or talking very loud. Bella has absolutely no personality whatsoever; I really don't see what either Edward or Jacob see in her. Robert's not too grand either, in my opinion. He's just too boring. But you know what, I guess Edward's pretty boring in the book too, so in that sense, Rob's fairly fitting for the role. That's why I like Jacob so much more. He sparkles much more than any other vampire simply because he's more interesting.
The Crucial Absences---I'm talking scenes. Major scenes that so needed to be there, but weren't, and for no reason I can think of. They wouldn't have even been long scenes. Most of these crucial scenes could have been pulled off in a few seconds worth of time for each scene. Maybe all of them could have been put in for an extra 10 minutes. Heck, even 5 more minutes. Like I said, I don't expect literally EVERYTHING in the book to come alive for me, and I highly appreciate what DID come alive for me. But I can't shake the ones that should have been there, simply for the sake of drama. Like for instance...
- No visit to empty Cullen house? I know that she's depressed over it. But I didn't FEEL it. Was this left out because they felt we the people would have gotten the point that she was saddened? I didn't. I mean, I know it already since I've read the book, but come on. To see her willingly go to their abandoned house with overgrown weeds would have really added weight to their absence and it wasn't there. She could have driven there or walked...got a quick glance of it and just break down in tears or something. Anything.
- Any OTHER scenes that involve Bella and Jake's interactions, like her attempting to find the meadow with him, or her telling him he can keep a bike in return for his lessons and hard work. What they had was definitely cute, but they needed more. Something else that can lead one to believe that this will be a true love triangle. Heck, even some smidgen of proof that she truly intended to hide it from Charlie in the first place. I got the impression that she found these reckless only because Edward's apparition thinks so, and not because of Charlie. I didn't get the feeling that she was trying to hide anything from him at all. It made the whole motorcyle thing a little pointless. The freaking ending of the movie didn't help much either! But I'll cover that later.
The Motorcyle Scene---Oh it was cool in some ways, but in more ways kinda eh. I wanted to see more trial and error on her part. Have the bike fall on her as it did in the book. In the movie, it's actually not even surprising that she crashed because Jake was horrible teaching her (in the movie). He didn't stress anything to her and poof there she goes flying into the rock already. It ended far too quickly. There was not much reaction to her blood either. It was all like, "Oh okay, you cut yourself badly, that sucks. Here take my shirt and blot it on your forehead, but let's not do anything else and end the scene right here." WHAT?? No stitches? No gauze? No nothing? That's it? See, if they had implied somewhere in there that Charlie would hate that she had motorcyles, they could have shuffled around doing whatever they could to change their story. Make their friendship a little more fun, like a secret club. Sigh. Fail.
Bella's Gash---I can't reiterate it enough. Talk about wow. She heals pretty fast. Again, totally unrealistic transition of scenes. One scene, she's bloody and talking about how beautiful Jake is and the next, she's having lunch with her friends in the cafeteria again. Totally would have been fine if she wasn't supposed to have hurt her head earlier. So it didn't work! They might as well just have left out the motorcyle thing altogether if they weren't going to utilize it the way it was supposed to. The ending made this sooo much worse, but I haven't gotten there yet. FAIL.
Bella's Cliff Dive---There's no storm? No raging wind and rain to make her choice to leap...errr, excuse me WALK off the cliff a little more crazy? Heck, she never even asked if Jake would take her diving at all in the first place. It made the whole concerned for her safety thing a little more watery than it should have been. If they had her ask him to take her while they saw the pack doing it, he would have said "okay, some day." And that was it. They could have had a sudden storm swoop in while the pack was hunting for Victoria and Bella was on the cliff. It would have fallen into place the exact same way, except with the details that so needed to be there. Jake would have saved her as usual, and just stressed the fact that she ought not to do anything like that again when he's not around. It would have worked. Fail.
Bella's Rush to Volterra---Yes, it's fast and spur of the moment in the book. But the movie's depiction of the desperation was pathetic. Where's the tension? The anxiety? "The oh my God, we have to move for reals!" There should have been more running around like crazy, the desperate clawing at a junk drawer for a paper to scrawl a sloppy note to Charlie about having to leave. It would have been just 10 more seconds. And okay fine, if you don't want to do that, how about some more stuff on the plane with Alice? Have her be concentrating like normal, telling Bella about Edward's plans, etc, rather than just have them arrive in Italy five minutes after they leave Washington. I know we all know the flight would have taken longer, but as I said, it doesn't feel that way. The transition was tacky and forced. Flat out dumb. Fail.
The score/soundtrack---I'm a score lover. Anyone who knows me well knows how much I LOVE certain movie music. But this one sucked all around. ALL OF IT. It's one of the most hated things I have towards the movie. I hated the score. I hated the stupid songs playing in the background. STOP the freaking singing already and shut off the sappy tunes! Just let the scene play out for ONCE, dammit. Let it play out and let the words being spoken be the fuel of it. Let the drama we SEE be what draws us in, not that damn music that's seeming out to MAKE us feel something for the scene. Way too distracting when I didn't want it to be. Way too corny too. It drowned out whatever intensity was supposed to be there. It was as if they were desperate to make the scenes meaningful by chucking in some lame songs and even lamer music. Twilight's score was more grown-up, more ominous. Mysterious. Brooding. But this score was crap. Why couldn't they just integrate a little of those original tunes in this one? Gosh I hated it all. HATED IT!!!! FAILURE!!
Sam's Cult---Really? Is that what that was? Because they just seemed like a bunch of guys to me. There was not enough focus on Jacob's fear of Sam's gang of guys. There was no inner turmoil about any of it. Sure, there was the rather tiny speech he told Bella while she was watching them cliff dive, but that was it. From that speech alone, we were supposed to be led to believe that those guys were trouble, that they were a cult that corrupted the innocence of young boys. So it made Jake's "fall" to wolf a little less....meaningful. Bella's anger with Sam and the guys didn't seem to have much merit either because of this. Blah, there just should have been more interaction with the guys so we can better know who they were before they became who they are. The only reason I can think of is to spare the movie further complications, but still. Fail.
The Ugly
Volterra Intervention---So Eddie's pretty shaken up about Bella's apparent death. He wants to make a scene in front of humans so the Volturi can have an excuse to kill him. He strips himself of his shirt, (eww) getting ready to step into the sun while all along, Bella's running towards him in desperation, calling out his name to stop him. In just the nick of time, she manages to jump at him. That's all well and good. Just like the book, though a little too quick. But then, under the shock of her presence, he falls backward into...well, the inside of the Volturi's building. Um, LAME. And then he suddenly goes into his famous speech about why he left, how he was so surprised she believe him so easily. All of this and they weren't even out of the woods yet? All of this speech never took place until they were back overseas in the comfort of Bella's room. But nope! They felt it better to put it in Volterra which made it incredibly stupid. Oh! And then, Felix and Demetri are just sort of....there. Then Jane's sort of...there. The ominousness of the alleyway where all of these vampires are clothed in dark robes to make their entrance is gone. Fail.
Alice's Vision---Okay the future vampire Bella and Edward frolicking through the forest? WOW...
The End---There was no fulfilling "reunion" between Edward and Bella. The whole thing was just....so screwed up. So choppy and sloppy. Nothing of any significance, not by what I saw anyway. Pretty much because one of the crucial speeches was rushed and had already taken place in Italy. So back home the two of them were sort of...thrown back together and there wasn't any sort of melodrama at all. Hell, not even the supposed "argument" between when to turn Bella had any meat in it. They disagree once and then bam, they're at the Cullen's doing the vote, which was still pretty well played out, but still so freaking rushed. Most of the pieces were definitely in place, but none of them created the actual puzzle. They were just laying there, scattered. Unorganized. Useless. What's worse??? Jacob's final scene. So Eddie's driving with Bella and then Jacob just...randomly standing in the road looking kind of dumb. Um, WHAT THE HELL? No bikes at Charlie's house? No angry Charlie? No feisty Bella about Jake's betrayal? Would it have been SO difficult to have the truck pull up to some trees and see the bikes visible? And THEN have Jake randomly standing there? Oh, but then again, as I said before....the sheer recklessness of the bikes was never established, probably for this purpose. Just so the importance of them can be tossed aside. So now Jacob's desperation to keep Bella isn't really there anymore. His attempt to get her grounded as a means of keeping her away from Edward does not exist. And her anger at him for this is not there. Tacky.
And then...THEN!!! Just after the little scuffle between Edward and Jake (one that does not exist in the book, but one that was perfectly okay for me in the movie), Edward suddenly decides to negotiate a little more with her. While in the forest. Nevermind the fact that she's hurting over Jacob's departure. Let's just awkwardly continue on in a pathetic attempt to negotiate her transformation. While in the forest. He asks gives her one condition for him to change her. While in the forest. He then proposes to her. WHILE IN THE FOREST. What. The. Hell. New Moon's end does NOT stop at his proposing her. This is NOT the most crucial, closing moment in this book. This book's point all along was the painful relationship and revelation between Bella and "her Jacob." The proposal should have taken place in her room, along with all the pretty speeches. But they shoved it all in these other scenes where other moments should have been happening. They part ways and Bella faces her angry father with Edward by her side, ready to face her next dilemma. The crucial moment was supposed to have been between Bella and Jacob. There should have been tension. Anger. Sadness. Intense emotion. I suppose it was still there in a way...but now that they had this movie ended up with a "Marry me" as the final line, so much of it had to be put aside. Bella marrying Edward is NO BIG DEAL. But Bella facing her fate with her destiny at her side, THAT was the big deal and this movie FAILED in delivering that.
As one can quite plainly see, I had SO many thoughts on this movie. This is like...the longest review ever. Probably not even really a review. Just me breaking things down that I liked and disliked, and it's probably not everything I can think of. I did NOT hate it by any means. I loved it more than I hated it. In fact, I loved the movie, but hated parts of it. And the things I hated, I admit, is because I know and love the book, but hated knowing that good stuff was left out. I found it insanely awesome and I appreciated seeing so many of those scenes that I never thought I'd see. I suppose I ought to be grateful for that and not be so wrapped up in what was missing or what was too much altered. I just hope that "Eclipse," the 3rd book will be safe from too much butchering. It is my favorite, and I'm hoping the movie will be just the same. But alas, I will still be worried. Which of my favorite scenes will get the ax? I'll find out next year.
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